Name:

judy

Profile:

i am a director. i travel around the world telling stories. i am fan of the underdog and the spotty dog alike. i enjoy working with my hands and have been a metal-smither for four years. i have a healthy sense of curiosity, but not entitlement.
www.judystarkmanjewelry.com
www.judystarkman.com

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This is Mikki. Our newly adopted Blue Healer. She was left in a dump in Tijuana. A wonderful organization called Hope4Animals rescues dogs from across the border and brings them to the US. I highly recommend them if you're looking to adopt a dog. She's a wonderful, smart, loving dog. Skip loves her too: http://www.hope4animals.com
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AFTER YEARS OF MUTUAL ADMIRATION, WE'VE COME TOGETHER WITH ADAM SILVERMAN TO FORM HEATH LOS ANGELES - A NATURAL EXTENSION OF OUR SAUSALITO, CALIFORNIA-BASED POTTERY. INSPIRED BY ICONIC MID-CENTURY DESIGN HOUSES, HEATH LOS ANGELES INCLUDES A STUDIO WHERE STUDIO DIRECTOR AND POTTER ADAM SILVERMAN WILL PRODUCE ONE-OF-A-KIND AND CUSTOM SMALL RUN WORKS. IN A NUTSHELL, WE'RE CONTINUING OUR DESIGNER/MAKER TRADITION AS WE GROW OUR COMMUNITY OF CRAFT, DESIGN AND OBJECT ENTHUSIASTS.
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STUDIO & GALLERY //

Our studio, run by potter Adam Silverman, designs and creates original pieces for our two stores, as well as produces small, custom works for the local Los Angeles design, restaurant and hospitality community. In the future we hope to house a visiting artists program, where artists will experiment with Adam on new glazes and designs to be considered for a spot in our permanent collection. For more information on custom and small-run projects, please contact Adam Silverman. We also have a gallery space where we host shows of work sympathetic to our aesthetic, mission and many interests. We will list show information on our news + events page, when applicable.

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Nov 23 2008    6:00PM-9:00PM
Opening Reception: Hope Gallery presents "Sumi Ink Club, Brian Roettinger, Hamburger Eyes" Performances by Lucky Dragons, Black Black and ASDSSKA

So, I've just finished this massive project for CNN. And, here I am at my desk doing some follow up work and I realize that Thursday is Thanksgiving. What to do?

I'm having a small dinner party for what essentially is my extended family. My good friend Sue and her 81 year old mother, Alice, are coming over. They are in much need of a change after years of tradition. 

So, I've decided I'm going to do a modern interpretation of bird and all the trimmings. No, I'm not serving Tofurki. Even though I am a vegetarian, that just isn't right.  It's more about updating the classics, thank giving everyone indigestion. 

I was snooping around on line, getting some ideas and came across this great website  called "Hatch." There's also a great design blog called 'design public." 


http://blog.designpublic.com

I like the white pumpkins. I'm going to steal that idea, but what ever you do, just don't call it a 'tablescape!"

 

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I'm thrilled to announce that a collection of Bill Lagattuta's  paintings and sculptural pieces have been chosen by DonnaKaran to be featured in her latest innovative store, UrbanZen, which is opening this week in Los Angeles.  UrbanZen is a great concept, with three other locations so far.  Its a store featuring DonnaKaran merchandise plus the work of innovative artists.  All of the store proceeds go towards the charitable work of www.urbanzen.org.  

614 N. Robertson blvd. la 


Please check out their site.  And better yet, come to the store for a great experience!

www.billlagattuta.com

I recently visited this poor village while filming a character I was following who brings food into the country from nearby El Paso.  Hope is replaced by fear. Dreams don't exist. Only hunger, survival and desperation. Violence is  part of daily life. It  was very dangerous for us to cross the border from El Paso into Juarez.  Violence is a part of daily life.  We needed armed protection. 

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 More than 400 women have been abducted and murdered since 1993 in Ciudad Juárez and Chihuahua, Mexico, bordering El Paso, Texas just over the Rio Grande. In a significant number of cases, the brutality with which the assailants abduct and murder the women goes further than the act of killing. Many of the women are held captive for several days and subjected to humiliation, torture and the most horrific sexual violence before dying, mostly as a result of asphyxiation caused by strangulation or from being beaten. The families of the victims have refused to be quite about the needless loss of their loved ones and continue, alongside activist from across the world, to seek justice and solutions to the issue of femicide.


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There's little food to sustain this village, but the character I was folllowing, Maria Ruiz, makes this dangerous trip across the border from El Paso three times a week to bring food to the hungry locals. 

People wait three hours in line to greet her and accept her food and clothing which are much needed. 

If you want to help, you can go to her website and donate clothes, food, appliances, and money. 


http://www.jemministriesep.org


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I read a story today about Belgian designers and why they are of the moment. Their austere nature, simple lines, and hard core discipline happens to coincide with the strained economic times. There was more. But, what really captivated me was the fact that all these incredible designers, like Martin Margiela, Ann Demeulemeester and Dries Van Noten (all personal favorites) graduated from the same school- The Antwerp Royal Academy of Fine Arts.  Today, in Paris Maison Martin Margiela had an amazing show, despite rumours that he's leaving the label.   So now I need to know about Antwerp. 

I decided I wanted to know about the place that produces such great artists.  Googled the Antwerp Royal Academy of Fine a Arts and this is what came up:

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 The Antwerp Royal Academy of Fine Arts (Koninklijke Academie voor Schone Kunsten van Antwerpen) is one of the oldest of its kind in Europe. It was founded in 1663 by David Teniers the Younger, painter to the Archduke Leopold and Don Juan of Austria. By the sixties, in our present century, general opinion had stopped considering the "applied arts" to be of lesser value than the "traditional arts". In accordance with the spirit of the times, a number of new departments were added to the Royal Academy of Fine Arts: graphic design, photography, jewelry design, ceramic arts and Fashion design. Mary Prijot championed the establishment of a fully-fledged fashion department within the Academy. She gave the fashion department an international appeal and set very high creative standards, both for fashion drawing and later, for fashion design. Together with Marthe Van Leemput, who added the subjects of tailoring and pattern design to the curriculum, she drew a blueprint for the fashion department, a plan which still serves its purpose extremely well. Ann Demeulemeester, Dirk Bikkembergs, Walter Van Beirendonck, Dirk Van Saene, Dries Van Noten and Martin Margiela are designers who graduated from the Academy in the beginning of the eighties, when the fashion department was under the patronage of Mary Prijot. 
In the beginning of the eighties, the fashion world and the international media started to get interested in Antwerp fashion designers. From then on, the fashion department of the Royal Academy shared in this international interest, not in the least because of the continuous quality of the collections designed by some of the now aforementioned famous ex-students and a new generation of designers as Veronique Branquinho, A.F. Vandevorst, Stephan Schneider, Bernhard Willhelm, Bruno Pieters, Tim Van Steenbergen, Peter Pilotto, Les Hommes/ Bart Van Den Bossche and Tom Notte, Haider Ackermann, Kris Van Assche amongst many others.

Belgian designers have been generating heat in the fashion world since the mid 1990's, when they were often viewed as the greatest thing since the Japanese designers who emerged, clutching deconstructionist scissors, in the early 80's. This lively, elucidating exhibition lets nonfashionistas see a bit of the fire. With 75 ensembles, most from the last five years, it shows the work of 10 designers, all but one of whom (Olivier Theyskens) attended the Royal Academy of Fine Arts in Antwerp. Several of the names will be familiar, especially Martin Margiela, Ann Demeulemeester and Dries Van Noten, members of the so-called Antwerp Six, who attended the academy in the late 1970's and early 80's.

Starting with Mr. Margiela, the idea of deconstruction is batted around this show like a volleyball at a leisurely team practice, with each player giving it a different, confidant spin. Garments are taken apart, reassembled, reused and misused, as exemplified by a trench coat reconfigured as an evening gown by Dirk Van Saene, another member of the Antwerp Six, or a humble cotton skirt that Mr. Van Noten has loaded with a ball gown's worth of beads.

Sources include military uniforms, hospital gowns, pop culture, extreme-exercise garments and vintage clothing. At one deconstructionist extreme is Walter Van Beirendonck's ''Dissection'' jacket, which has one sleeve cut away to reveal a cross section of different fabrics, although the clothes of the two-designer team known as A. F. Vandevorst, who have a thing for saddles, can't be discounted. To the other extreme is the understated work of the newly discovered Jurgi Persoons, who decorates his lightweight dresses while he shapes them with visible hand-stitched darts and tucks.

For the most part these clothes don't infantalize or overexpose the body, and many appear to be genuinely comfortable. It is probably too much to ask that they also might be affordable

Cool. I think I need to visit Antwerp. 

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The city gets it right for a change. They hired 100 goats to clear an overgrown hillside. I went to see them today and it was amazing. Instead of bums in and garbage in the park, people were swarming, talking to each other and smiling at the goats. It was awesome and no need to worry about overtime. Goats are cool.




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Date:
Thursday, September 4, 2008
Time:
6:00pm - 8:00pm
Location:
Yvon Lambert Gallery
Street:
550 W. 21 Street (btw. 10th and 11th Ave.)
City/Town:
New York, NY

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This  is from my favorite stylist, Ondi:

The photograph on the invitation is titled,"Hieronymus Bosch Shit". 

Taoists say that "god is in our bowel movements, if not we'd be in real trouble". The Greeks (my peeps) gave us "democracy, scientific method, philosophy, art, literature.....and skatology! Shit is a serious topic. Remember "The Last Emperor"? Ancient doctors examined feces for health and were NOT paid if patients was sick! Elvis died with a swollen colon stuffed to the max with white chalklike feces......if on exhibit at the "Bodies", it would outsell all Cirque de Soleil shows and be sold-out until the end of days ---2012! Come see "SHIT" before Fashion Week bullshit starts! When inviting your more discriminating guests, use more the polite title "Sugar Honey in Tea" or "Sugar Honey Iced Tea". Btw, I have it on good authority that one luminary named "Luther" will be attending opening. Here's a riddle for you: Luther is not a man or a model but he is in the photographs!-Susan 

"Serrano's work as a photographer tends toward relatively large prints of about 20 by 30 inches (51 cm x 76 cm), which are produced by conventional photographic techniques (as opposed to digital manipulation). He has shot a vast array of subject matter including portraits of Klansmen, morgue photos, and pictures of burn victims. He went into the New York subways with lights and photographic background paper to portray the bedraggled homeless as art objects, as well as producing some rather tender but sometimes decidedly kinky portraits of couples. One of these last shows what Adrian Searle of The Guardian described as "a young couple, she with a strap-on dildo, he with a mildly expectant expression."[2]

Many of Serrano's pictures involve bodily fluids in some way--depicting, for example, blood (sometimes menstrual blood), semen (for example, "Blood and Semen II" (1990)) or mother's milk. Within this series are a number of works in which objects are submerged in bodily fluids. Most famous of these is "Piss Christ" (1987), a photograph of a plastic crucifix submerged in a glass of his own urine. This caused great controversy when first exhibited. The work was sold for $162,000 in December 1999 in London, which was far beyond the estimated $20,000 - $30,000.[3] Serrano, alongside other artists such as Robert Mapplethorpe, became a figure whom some attacked for producing offensive art while others defended him in the name of artistic freedom (see the American "culture wars" of the 1990s).

The most famous and notorious of Serrano's work plays on the relationship between beautiful imagery and vulgar materials, his subject matter often drawing from the potentially controversial and, perhaps, the willfully provocative. Guardian art critic Adrian Searle was not impressed in 2001: he found that Serrano's photos were "far more about being lurid than anything else... In the end, the show is all surface, and looking for hidden depths does no good."[2]

Serrano's work "Blood and Semen III" is used as the cover of heavy metal band Metallica's Load, while "Piss and Blood" is used on ReLoad. Serrano also directed a video for industrial metal group Godflesh, "Crush My Soul"." (Wikiwikiwiki)

Check it out, if you're into this kind of shit. 
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This hilarious marketing stunt for Krispy Kreme donuts comes from one of my favorite UK PR companies, Mischief. 

Mischief (the name says it all) launched the organic, grass growing flip flops in order to help  Londoners "reduce stress by taking a walk in the park." Oh, and why not have a donut while you're at it. 

Visually, I think it's very funny. Realistically, I think it would be annoying to have grass growing flip flops under my toes, but it says a lot for a brand that's willing to have a sense of humor about itself.  And, that's really what we're talking about here... perception. 

I guess if the concrete jungle gets to be too much for some, you can take your "mobile meadow' with you.